競賽短片A

【OPENTIX節目異動公告】（公告日期2022年08月08日）

本次放映節目【競賽短片A】其中《變形記》一片因故暫時取消放映，後續是否恢復放映請依現場公告為主，本場次其他影片照常放映。

已購票觀眾可持原票券入場，如不克前往之觀眾自公告日起至影片開演前可辦理全額退票。節目異動公告8/8（一） 12:00後購票觀眾、未於演出3日前辦理退票之觀眾，將不適用全額退票。

退票辦法如下：

一、【已取紙本票者／現金購票者】

方式1. 現場辦理：請持票前往OPENTIX臺北、臺中、臺南、高雄服務處辦理全額退票。

方式2. 掛號郵寄：如不方便親自辦理退票，請於退票截止日前（以郵戳為憑，須自行負擔郵資）掛號郵寄票券至 100011台北市中正區中山南路21-1號（OPENTIX電商營運組 黃小姐收）。刷卡購票者將全額退刷，現金購票者請務必附上存摺影本及電話聯絡資料，以便退款至你指定之帳戶。※提醒：票券寄回前請先記下票券上的訂單編號（如：202101220000123-1），以利後續來電查詢退票狀況。

二、 【未取票者／刷卡購買App電子票者】

方式1. 線上申請：於退票截止日前進入退票申請系統https://refund.opentix.life/ 勾選項目1.「刷卡購票之退票申請」完成退票申請。退票作業完成後，系統會以Email通知。

方式2. E-mail、或傳真申請：於退票截止日前下載申請表https://reurl.cc/dx5WjD，將檔案寄至opentixservice@mail.npac-ntch.org，或傳真至（02）3393-9908，退票作業完成後，系統會以Email通知。。

※如何查詢付款方式：

● 登錄OPENTIX頁面→點選右上方人像圖示，進入會員專區 (APP用戶點選畫面右下方「會員」)→點選「訂單紀錄」→點入要查詢的訂單編號內即可查看付款方式。

● 票券入場聯，票價旁的英文代號C為現金付款；V／M／J／AE／AP／GP為刷卡付款，B為向主辦單位購票票券。

※注意事項

● 如訂單使用點數折抵，退訂單時，系統扣除退訂手續費後會優先退還點數，此筆訂單之折抵點數全數退完後，才會將刷卡支付之金額刷退回購票使用信用卡。提醒你，如退訂時抵用的點數已過期，退還點數的效期將無法延展與恢復。

● 退票以票面金額為計算標準，取票所產生之郵寄費或服務費、退票寄回郵資等均不屬於退票費用計算內。

● 原訂單如為線上購買或分銷點購買並有歸戶OPENTIX會員，退票成功後會收到Email通知，你亦可登入OPENTIX訂單紀錄，查詢訂單狀態。

● 現金購票選擇郵寄辦理，約7-12個工作日匯款至你指定之帳戶，刷卡購票則退至原購票信用卡，約7-10個工作日可向發卡行查詢到該筆款項。

若有其他疑問，請洽詢OPENTIX兩廳院文化生活客服中心(02)3393-9888 (每日09:00-20:00)

最後一票

Last Meal

台灣Taiwan｜2021｜DCP｜Color｜25min

2021高雄電影節

罹癌住院的老周生活早已形同枯槁、味如嚼蠟，年少時吒咤艋舺的歲月早已遠去，如今孑然一身，溜出病房上街頭見見當年的跟班小鄧，成了所剩無多的日子裡僅存的樂趣。寒風刺骨的冬夜，一場變故瓦解了一切，瀟灑不再的老周決定用自己的方式向過去道別……。資深演員洪麟最後遺作，傾情演出燃燒生命最終燭光的老人，留下令人動容的孤絕身影。

Chou is a bit of an asshole and life seems dull and tasteless for him now. His habits include squatting, hanging out on the street, and teasing his old pal Deng. In his eyes, this is his whole world after being diagnosed with cancer. People call Chou homeless, but he disagrees. One day, he finds out there are still some tragedies that he cannot handle, out in Bangka, the neighborhood they used to hang out and rule.

彭之軒

Arrow PENG

輔仁大學影像傳播系畢業，深耕紀實影像與紀錄片節目，從觀察生命與社會角落汲取養分。現以自由接案導演、攝影為職，曾獲金鐘獎非戲劇類最佳攝影。

Arrow PENG graduated from Fu Jen Catholic University and has been deeply involved in documentary field for over a decade. In 2019, he won the Golden Bell Awards for Best Photography in Non-Fiction category by Inside: Taiwan's Ultra-Marathon. Peng’s previous directorial work Ms. Cupid (2008) was nominated for Taipei Film Awards.

父親的電影院

Keep in mind: Father’s Cinema

台灣Taiwan｜2021｜DCP｜Color｜13min

2021高雄電影節

青年揹著行囊，踏入荒蕪已久、面臨拆除的老電影院。在幾近坍落的影廳天花板下，陽光自破垣殘壁間灑下，為老舊積滿灰塵的空間與物件，裹上一層彷彿吹彈可破的光暈。青年穿梭其間，在昔日的座席上架起臨時的投影間，當乘載著記憶的光線投向彼方時，青年與父親一同重溫了一段屬於父子倆的光影時刻。

曹仕翰：「我被廢棄電影院召喚而來。我們交換了彼此生命的記憶，成為投影在銀幕上的一道光。」

The boy’s father devoted his whole life to this old movie theater, and now it’s about to be destroyed. On the eve of the destruction, the boy crosses the demolition zone barriers and walks into the abandoned and desolate movie theater that was once so full of voices. For this one last time, the son and his father watch a film together in this cinema that holds so many memories.

曹仕翰

TSAO Shih-Han

畢業於臺北藝術大學電影創作研究所導演組。曾入圍金鐘獎迷你劇集∕電視電影編劇獎。短片《春之夢》、《貓與蒼蠅》曾入選克萊蒙費宏短片影展。現籌備長片《南方時光》。

TSAO Shih-Han holds a master’s degree in Filmmaking from the Taipei National University of the Arts. His TV film He Is Dog, In My House (2012), was nominated for Best Scriptwriting at Golden Bell Awards. His short films, A Dream of Spring (2017) and Neko and Flies (2020) were both selected for the International Competition at the Clermont-Ferrand Short Film Festival. His latest project Beautiful Days in the South was selected at HAF 2021.

變形記

Metamorphosis 2021

台灣Taiwan｜2021｜DCP｜Color, B&W｜23min

導演劉里高爾請來空拍神手白昆蟲，漫談迷因、裸體及比特幣，意圖聯手搞出「世界首部迷因舞蹈電影」。然而，在荒腔走板的實地拍攝後，白昆蟲與舞者演員漸漸發現導演的腦袋不太對勁……。靈感來自卡夫卡同名經典，編舞家劉冠詳挾帶魔幻風格涉足影像創作，以創作「變形」的光怪因果和陸離邏輯，探究藝術家的空虛焦慮與生滅來去。

Inspired by Kafka’s The Metamorphosis, director choreographer LIU Kuan-Hsiang partners with BAI Kun-He to create an enchanting dance sequence through a flying drone’s FPV angle. The end product brings you to think about what creation is, how it does the metamorphosis, and presents modern creators’ hollowing anxiety. The finale takes viewers back to where it begins, making a perfect exit for the audience.

劉冠詳

LIU Kuan-Hsiang

台灣獨立編舞家，曾受雲門舞集、兩廳院邀請編舞創作，近年跨足影像創作，2016年曾以《我知道的太多了》獲第十五屆台新藝術大獎。

LIU has been developing his physical language from personal life story and Taiwanese culture. As a choreographer, he has worked with Cloud Gate Foundation, Cloud Gate2 and NTCH, and won Taishin Performing Arts Award in2016.

我在隔離中

Be My Quarantine

台灣Taiwan｜2021｜DCP｜Color｜22min

2021高雄電影節

剛從國外歸來的美嘉正式展開她的居家隔離生活。連續十四天，五坪的房間成了她的全世界。在「防疫視同作戰，全家一起努力」的口號下，家不再是最溫暖的避風港，而是個人自由與集體安危的戰場，疫情之下緊迫盯人的防疫措施讓美嘉的身體開始產生意想不到的變化。一場荒謬的防疫家庭鬧劇，成了居家隔離版的魔幻《變形記》。

When returning to Taiwan from abroad, Mika has a hard time coping with the "new normal" under the COVID-19 outbreak. Her mother is determined to fight the corona virus at all costs. The pandemic turns the household into a battlefield between Mika and her families. Confined to her tiny bedroom during the quarantine, Mika begins to notice inexplicable transformations of her body. Her absurd journey which is just like the quarantine version of Franz Kafka's The Metamorphosis is unfolding.

莊翔安

CHUANG Shiang-An

台灣導演及編劇。短片《媽媽桌球》廣受國內外影展與獎項肯定。曾聯合導演《返校》影集。創作風格多變，擅以奇幻的電影敘事探討當代的社會問題。

CHUANG Shiang-An is a Taiwanese director based in Taipei. His short film Mama Pingpong Social Club (2018) was selected for the Palm Spring ShortFest and Bucheon International Fantastic Film Festival; other note-worthy short films are After Spinning (2010) and Into The Mountain (2015), all selected for the Golden Harvest Awards. In 2020, he co-directed the series Detention, inspired by the game of the same title.