攝影機留住平凡職人故事發光的瞬間

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【節目介紹】

台劇興起，職人劇當道！本次邀請四部經典職人劇的導演：林君陽導演《人選之人─造浪者》揭開台灣選戰幕僚工作的糾結和考驗；鄭芬芬導演《做工的人》以喜劇方式描繪勞工無奈又艱困的生活，讓人又笑又淚；《火神的眼淚》蔡銀娟導演刻畫出消防員面對工作和生活的辛勞；林立書導演《最佳利益》可謂台灣最成功的律政劇。職人劇的製作需要長期深入工作現場進行田調，在平凡日常的碌碌生活中抽出各行各業職人的閃耀絲線，以大眾百態的骨幹，編織出一段讓觀眾共感共情的故事，導演是如何透過鏡頭，讓我們看見職人閃閃發光的非凡時刻？

【講者介紹】

林君陽／《人選之人─造浪者》導演

出生於1980年，以導演及攝影師作為雙主職參與影視製作，早期作品處理愛情題材，後將愛情及情感的處理經驗融入2019年導演作品《我們與惡的距離》，成功且精準地處理具社會高度爭議的思覺失調議題，開啟社會對該議題的對話與思考，將臺灣電視戲劇節目帶到新的高度，此片更獲得54屆金鐘獎《戲劇節目》、《戲劇節目導演》在內等六項大獎。

2020年以攝影師身分參與《做工的人》，以溫柔的視角帶領觀眾具體感受到台灣百工圖裡應該被慎重看待的一頁風景。

2021年執導時代劇《茶金》考究臺灣歷史，劇中考量時代背景，使用客、閩、英、日、普通話及上海話，語種繁多卻能貼合敘事脈絡；在美術陳設、服裝等層面力求真實，劇情勾起觀眾對這塊土地過去歷史思考，並主動去深入探索。

2023年電影《疫起》以醫療職人的視角經歷20年前SARS封院事件，一舉入圍台北電影獎包含最佳導演和最佳劇情長片等13項大獎。

同年劇集作品《人選之人-造浪者》則以文宣幕僚的職場作為舞台，講述總統選舉的大局之下，每個人的妥協與抉擇。近期作品關注社會寫實題材「令我感到好奇的不只是議題本身，更吸引我的是借之映射出的複雜人性。」

Born in 1980, Chun-yang Lin is involved in film and television production as both a director and a cinematographer. In the early stages of his career, he worked on projects centered around the theme of love. Later, he incorporated his experiences with love and emotions into his directorial work, as exemplified by his 2019 TV series “The World Between Us,” where he successfully and accurately tackled the highly controversial issue of schizophrenia. This film sparked conversations and reflections on the topic, elevating Taiwanese television drama to new heights. “The World Between Us” garnered six awards at the 54th Golden Bell Awards, including “Best Television Series” and “Best Directing for a Television Series.”

In 2020, he participated as a cinematographer in the project “Workers,” using a gentle perspective to allow the audience to intimately experience a glimpse into Taiwan's diverse industries that should be carefully observed.

In 2021, Chun-yang Lin directed the period drama “Gold Leaf,” undertaking a meticulous exploration of Taiwan's history. Taking the era into account, the series incorporated a variety of languages, including Hakka, Minnan, English, Japanese, Mandarin, and Shanghainese, to match the narrative context. The production aimed for authenticity in areas such as art direction and costume design, prompting viewers to contemplate the historical past of this land and actively to delve deeper into its exploration.

In 2023, his film “Eye of the Storm” portrayed the experiences of medical professionals during the SARS quarantine incident that occurred 20 years earlier. The film received 13 nominations at the Taipei Film Festival, including “Best Director” and “Best Feature.”

In the same year, his television series “Wave Makers” centered on the workplace of a publicity aide during a presidential election, telling the story of compromise and choices made beneath the overarching political landscape.

Chun-yang Lin’s recent works focus on socially realistic themes.

“What sparks my curiosity isn't just the issues themselves but what they reflect about the complexity of human nature.”

鄭芬芬／《做工的人》導演

廣告製片出身，執導公視多部人生劇展屢獲電視金鐘獎肯定。首部電影長片《沈睡的青春》獲新加坡亞洲新人影展「最佳編劇獎」，第二部《聽說》為當年台灣票房冠軍，入圍金馬獎最佳新演員，獲台北電影節最佳女主角。其他獲獎與賣座影片有《台北異想》、《熊熊愛上你》、《快把我哥帶走》等。最新影集作品《做工的人》獲56屆電視金鐘獎迷你劇集最佳劇集、導演、男主角與男配角獎。

Coming from a background in advertising production, Fen-fen Cheng has directed numerous episodes of the “Life Story” series for Public Television Service (PTS), garnering recognition at the Golden Bell Awards. Her debut feature film, “Keeping Watch,” received the “Best Screenplay Award” at the Singapore Asian Festival of First Films. Her second film, “Hear Me,” was the box office champion of that year in Taiwan and earned her a nomination for “Best New Performer” at the Golden Horse Awards. She also won the “Best Actress” award at the Taipei Film Festival.

Among her other award-winning and successful films are “Taipei 24H,”“Bear It,” and “Go Brother!” Her latest television series, “Workers,” received several accolades at the 56th Golden Bell Awards, including “Best Miniseries,”“Best Directing for a Miniseries or Television Film,”“Best Leading Actor in a Miniseries or Television Film,” and “Best Supporting Actor in a Miniseries or Television Film.”

蔡銀娟／《火神的眼淚》導演

導演(兼編劇)作品有電影《候鳥來的季節》《心靈時鐘》及影集《火神的眼淚》。繪本作品有《我的23個臉孔》《2087年的時候》。歷年電影曾獲伊朗茉莉花國際影展最佳劇本獎、台灣優良劇本獎、拍台北劇本獎第一名、美國休士頓國際影展金獎等。而《火神的眼淚》則深受觀眾喜愛，首播時在各大平台都是收視冠軍，Netflix則連續21天奪冠。中華電信的Hami Video及台哥大的myVideo都公布本劇奪下2021年度夯劇排行榜冠軍。並獲金鐘最具人氣戲劇節目獎。

Yin-chuan Tsai is a director and screenwriter known for her works in both film and television. Her filmography includes movies such as “Stilt,” “Packages from Daddy,” and the TV series “Tears on Fire.” She also has authored picture books like “My 23 Faces” and “In the Year 2087.”

Over the years, her films have received various awards, including the Best Screenplay Award at the Iran Jasmine International Film Festival, the Taiwan Excellent Screenplay Award, First Prize at the Filming Taipei Screenplay Competition, and the Gold Award at the WorldFest-Houston International Film Festival in the United States. Furthermore, “Tears on Fire” was deeply beloved by audiences, achieving top ratings across major platforms during its premiere. It also held the number one spot on Netflix for an uninterrupted 21 days. Both Chunghwa Telecom’s Hami Video and Taiwan Mobile’s myVideo announced that the series secured the top spot in the 2021 hottest drama rankings. It received the Most Popular Drama Series award at the Golden Bell Awards.

林立書／《最佳利益》導演

結束法律工作，負笈法國Paris III 與 Montpellier III學習表演與電影，爾後專注於影音創作，廣告、電影、影集及MV。眾多知名品牌指定導演，並執導2011年電影 《殺手歐陽盆栽》，2013年電影《天后之戰》，2019年電視影集 《最佳利益》，2020年製作、編導電影 《破處》，2022年電視影集 《最佳利益II、III》”作品中帶著有溫度的反照與諷刺，持續以多元風格與熱情活力創作著。

Born in 1973. The quest for a delightful sense of humor has remained a consistent life theme.

After concluding a career in law, Lin Lishu went to study acting and film in France at Université Paris III and Paul Valéry University Montpellier 3. Later, Lishu focused on audiovisual creation, working on commercials, films, television series, and music videos.

Lishu has been selected as director by numerous well-known brands and has directed several notable works, including the 2011 film “The Killer Who Never Kills,” the 2013 film “Faithball,” the 2019 TV series “Best Interest.” In 2020, he took on the roles of producer, writer, and director for the film “Leaving Virginia,” and in 2022, he worked on the TV series “Best Interest II and III.”

His works reflect warmth and satire, and he continues to create with a diverse style and enthusiastic energy.