夜曲 Nocturne
美國 USA|1998|DCP|B&W|28 min
女人耗盡氣力把男人屍體拖去埋葬,往後的日子卻有男子再度造訪。本片以高反差黑白影像效仿低成本心理驚悚片,透過16mm與Pixelvision的交錯使用拼出複數主體向度,呈現擺盪於現實、夢魘、幻覺間的心理空間。本片改編自學者史蒂芬.夏維羅(Steven SHAVIRO)為歌德驚悚片《The Whip and the Flesh》所撰寫的影評,以詭妙的轉譯過程,再借類型手法翻玩另一種詮釋的可能。
A woman drags a male corpse across a lawn then buries him in a shallow grave, and her victim returns, like a thought repressed, to haunt her. "A psychological horror film built on the conflicts of a woman tortured by the ambiguity between reality and illusion, dream and desire," writes AHWESH.
色愛 The Color of Love
美國 USA|1994|DCP|Color|10 min
兩女玩弄著床上假死的男子,拿小刀撮弄軟陽具,抹上滿身假血後,兩人跨坐男人的身上做起愛來。阿維許重新翻攝剪輯早已酸蝕劣化的1970年代情色片,經上色、光學印片處理的拾得影像,視覺上仿若隨時要被吞噬裂解。散發著詭艷色彩的女性慾望,跟隨班多鈕手風琴的節拍狂舞。阿維許謹以此片致敬B級片教母桃樂絲.維斯曼(Doris WISHMAN)。
AHWESH subjects an apparently found pornographic film to coloring, optical printing and general fragmentation; the source material threatens to virtually collapse under the beautiful violence of her filmic treatment. What emerges is a portrait at once nostalgic and horrible: the degraded image, locked in symbiotic relation with an image of degradation.
佩姬.阿維許 Peggy AHWESH
重量級美國實驗片創作者、錄像藝術家。自1970年代至今創作不懈,佩姬.阿維許的創作橫跨類比、數位和科技藝術,在媒材的運用切換、影像語言的調度拆解上,叩問性別與文化身分、社會政治之於影像的當代意義,展現出高度異質性的創作軌跡。
Over the course of her career, Peggy AHWESH has produced one of the most heterogeneous bodies of work in the field of experimental film and video. A true bricoleur, her tools include narrative and documentary styles, improvised performance and scripted dialogue, synch-sound film, found footage, digital animation, and crude Pixelvision video. With playfulness and humor, she investigates cultural and gender identities, feminism, the role of the subject, language, and representation.
死者 The Deadman
美國 USA|1989|DCP|B&W|36 min
女子把死去戀人的屍體留在家中,披了件風衣外套便半裸出門,在一間酒吧裡放浪形骸,展開一場春宮亂鬥。浸漫在死亡與性之間,酒精尿液淫水流瀉,在一片糜爛粗鄙中堅守野蠻,淫穢地優雅。交疊扭曲的身體衝撞僭越慾望的極限邊界,直至氣味濃烈的女性歡愉徹徹底底凌駕一切,再迎死亡。
本片改編自巴塔耶的同名短篇,用默片字卡擬仿原著的編排風格,將巴塔耶充滿詩性的筆法轉化爲破壞力道極強的變態怪誕之作。作為阿維許首部16mm作品,她不忘偷渡恐怖片類型手法,演員則找來一幫藝術家友人輪番上陣,並由同是影像創作者的珍妮佛.蒙哥馬利(Jennifer MONTGOMERY)擔綱主角。
Made in collaboration with Keith SANBORN, The Deadman is based on a story by Georges BATAILLE, charting “the adventures of a near-naked heroine who sets in motion a scabrous free-from orgy before returning to the house to die—a combination of elegance, raunchy defilement and barbaric splendor,” wrote Jonathan ROSENBAUM in the Chicago Reader. Featuring performances by Jennifer MONTGOMERY, Roman Quanta la GUSTA, Scott SHAT, Diane TORR, and Leslie SINGER.
佩姬.阿維許 Peggy AHWESH
重量級美國實驗片創作者、錄像藝術家。自1970年代至今創作不懈,佩姬.阿維許的創作橫跨類比、數位和科技藝術,在媒材的運用切換、影像語言的調度拆解上,叩問性別與文化身分、社會政治之於影像的當代意義,展現出高度異質性的創作軌跡。
Over the course of her career, Peggy AHWESH has produced one of the most heterogeneous bodies of work in the field of experimental film and video. A true bricoleur, her tools include narrative and documentary styles, improvised performance and scripted dialogue, synch-sound film, found footage, digital animation, and crude Pixelvision video. With playfulness and humor, she investigates cultural and gender identities, feminism, the role of the subject, language, and representation.
凱斯.山朋 Keith SANBORN
現居紐約的美國媒體藝術家、影像創作者、影像理論家、獨立策展人,並涉獵電影、攝影、數位媒體及錄像。其作品曾於惠特尼雙年展、鹿特丹影展、香港錄映太奇等展映。亦於普林斯頓大學視覺藝術系授課。
A New York-based media artist, filmmaker, theorist and independent curator. Keith SANBORN has been working in film, photography, digital media, and video. His work has been exhibited at the Whitney Biennial, IFFR, Hong Kong Videotage, among others. His theoretical work has appeared in a range of publications from journals and books.
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