【2023衛武營國際音樂節】衛武營當代樂團《從馬勒到希爾博格》、《李蓋悌100》

文學作品總能探照出世界的幽深，馬勒以19世紀初編纂發行的《少年魔號》系列詩集為靈感，創作了多首歌曲，其中刻畫了守夜的哨兵、因飢荒死去的孩子等主題，表達對生命意義的反覆思索。瑞典作曲家希爾博格在百年後，同樣也從美國作家雷．布萊柏利的小說《闇夜嘉年華》中，感受到成長的萬般滋味，樂曲從遊樂園的笑鬧、狂歡開始，終結在夢魘來襲之時，整首樂曲最後將「汽化」在低音提琴孤獨的旋律中。

《李蓋悌100》顧名思義是為了慶祝匈牙利作曲家李蓋悌誕生一百週年。作為20世紀最重要的音樂家之一，他在微分複音上的探索、對各地民族音樂風格的轉化，都讓樂壇擁有了嶄新視野。《室內協奏曲》完成於1970年，題獻給奧地利指揮切爾哈（F. CERHA）與他的「序列樂團」（Die Reihe），李蓋悌自述這個作品：「可辨別的音程會漸漸模糊，然後新的音程會慢慢從混亂的狀態逐漸成形。」是他創作生涯第三階段「綜合時期」的代表作。

Literature has the ability to seek out depth in the world. An early 19^th century collection of poems, Des Knaben Wunderhorn, inspired Gustav MAHLER in his composition of several songs by the same name, including one based on a sentinel’s nighttime song and another about children who die of hunger. The piece repeatedly reflects on the meaning of life. A century after MAHLER’s endeavor, Swedish composer Anders HILLBORG was similarly inspired by American writer Ray BRADBURY’s short-story collection Dark Carnival, creating a song that begins with the happiness and joy one would expect at an amusement park but becomes nightmarish and, in the end, “vaporizes” within the melody carried by a lone double bass.

LIGETI 100 is, as the name suggests, a celebration of this Hungarian composer, one of the greatest of the 20^th century, on his 100^th birthday. His exploration in the area of micropolyphony and transformation of music styles from various ethnicities greatly expanded the horizons of the music world. His Chamber Concerto, completed in 1970, was dedicated to Austrian composer Friedrich CERHA and first performed by the latter’s ensemble Die Reihe. LIGETI said of the piece, “One clearly discernible interval combination is gradually blurred, and from this cloudiness it is possible to discern a new interval combination taking shape.” It is the most iconic piece from the third (“synthetic”) phase of his career.

曲目

4.19 (三) 《從馬勒到希爾博格》

安德斯．希爾博格：《汽化的遊樂場》（臺灣首演）

高愷怡：《虛……而實》

臺灣音樂家作品（衛武營國際音樂節徵件作品）

馬勒：《少年魔號》歌曲集選段（高音版，由克勞斯・賽門改編）

Anders HILLBORG: Vaporised Tivoli (Taiwan Premiere)
KAO Kai-yi: Virtual...But Real
Donghoon SHIN: The Hunter's Funeral (Taiwan Premiere)
G. MAHLER: Excerpts from Des Knaben Wunderhorn (Arrangement for High Voice and Ensemble by Klaus SIMON)

4.20 (四)《李蓋悌100》

捷爾吉．李蓋悌：室內協奏曲

劉博健：《三月之前》給小提琴獨奏與大室內樂與電子即時互動

維托．祖拉傑：《無所不在》，給女高音和室內樂團 (亞洲首演)

György LIGETI: Chamber Concerto

LIU Po-chien: Vormärz, Violin solo mit große Ensemble und Live-Elektronik

Vito ŽURAJ: Ubuquity for Soprano and Ensemble (Asia Premiere)

演出人員名單

指揮｜克雷門・鮑爾

女高音｜妮卡・哥瑞齊

衛武營當代樂團

執行單位｜時間藝術工作室

Conductor｜Clement POWER

Soprano｜Nika GORIČ

Weiwuying Contemporary Music Ensemble
Project Executive｜TimeArt Studio

藝術家介紹

指揮｜克雷門・鮑爾

Conductor｜Clement POWER

克雷門・鮑爾生於1980年，曾就讀劍橋大學與倫敦皇家音樂學院。曾任倫敦愛樂樂團助理指揮，並於擔任法國現代樂集助理指揮期間與皮耶・布列茲密切合作。他堅定地將音樂視為具有生命力的傳統，並經常與世界各地的主要新音樂團體合作。近期曾指揮維也納聲之論壇、科隆音樂製造樂團、倫敦愛樂管弦樂團、倫敦愛樂樂團、BBC蘇格蘭交響樂團、東京NHK交響樂團、斯圖加特廣播交響樂團、法蘭克福廣播交響樂團、琉森音樂節學院管弦樂團、盧森堡愛樂樂團、愛沙尼亞國家交響樂團、巴黎現代樂集、日內瓦現代樂團、赫爾辛基阿凡第室內樂團、布魯塞爾Ictus樂團、法蘭克福現代樂團、慕尼黑室內樂團、倫敦布列頓小交響樂團與韓國統營國際音樂節樂團。他曾受邀參與琉森音樂節、薩爾茲堡音樂節、達姆施塔特音樂節、維也納當代音樂節、科隆八橋音樂節、斯圖加特新音樂節、華沙之秋音樂節、威尼斯音樂節、奧爾德堡音樂節與巴黎IRCAM安卡拉音樂節。他曾首演赫克・托帕拉《超級音樂序幕》（法國現代樂集／利塞烏大劇院）、沃爾夫岡・米特雷爾《瑪爾塔》（布魯塞爾Ictus樂團／里爾歌劇院）與林瑞玲《幻之森》（科隆音樂製造樂團／科隆歌劇院）等歌劇。鮑爾致力於傳承自身對新音樂的熱愛，並經常於英國皇家音樂學院、倫敦大學皇家音樂學院、市政廳音樂及戲劇學院、科隆音樂舞蹈大學與日內瓦音樂學院擔任客席藝術家。他的CD發行於凱洛斯、弓桿奏、維高與蘭花經典等平台。

Clement POWER (b. 1980) studied at Cambridge University and the Royal College of Music (London), then held assistant conductorships with the London Philharmonic Orchestra and Ensemble Intercontemporain, where he worked closely with Pierre BOULEZ. Strongly committed to music as a living tradition, he regularly collaborates with leading new music ensembles worldwide. Recent conducting engagements include Klangforum Wien, Ensemble MusikFabrik (Cologne), the Philharmonia (London), London Philharmonic Orchestra, BBC Scottish Symphony Orchestra, NHK Symphony Orchestra (Tokyo), RSO Stuttgart, hr-Sinfonieorchester (Frankfurt), Lucerne Festival Academy Orchestra, Orchestre Philharmonique du Luxembourg, Estonian National Symphony Orchestra, Ensemble Intercontemporain (Paris), Ensemble Contrechamps (Geneva), Avanti! Chamber Orchestra (Helsinki), Ictus Ensemble (Brussels), Ensemble Modern (Frankfurt), Munich Chamber Orchestra, Britten Sinfonia (London) and Ensemble TIMF (South Korea). He has been the guest of festivals including Lucerne Festival, Salzburg Biennale, Darmstadt, Wien Modern, Acht Brücken (Cologne), Eclat Festival (Stuttgart), Warsaw Autumn, Venice Biennale, Aldeburgh, and IRCAM Agora. Opera premieres include Hèctor Parra Hypermusic Prologue (Ensemble intercontemporain / Gran Teatre del Liceu), Wolfgang MITTERER Marta (Ensemble Ictus / Opéra de Lille), and Liza LIM Tree of Codes (Ensemble Musikfabrik / Oper Köln). Keen to transmit his passion for new music to the next generation of musicians, POWER is frequently a guest artist in conservatoires including the RCM, RAM and Guildhall (London), the Hochschule für Musik und Tanz Köln, and the Haute école de musique de Genève. His CD recordings are released on Kairos, col legno, Wergo, and Orchid Classics.

女高音｜妮卡・哥瑞齊

Soprano｜Nika GORIČ

斯洛維尼亞女高音妮卡・哥瑞齊曾於葛拉茲馬里博爾就學，於2017年以女王卓越獎優異生身份畢業於倫敦大學皇家音樂學院，並於2019年時因傑出音樂成就擔任該校合作夥伴，近期則於2021年榮獲梅克倫堡-前波美拉尼亞音樂節獎項。

她近期飾演的歌劇角色包含《愛情靈藥》阿蒂娜、《弄臣》吉爾達、《帕思夸雷先生》諾麗娜、《費加洛婚禮》蘇姍娜、《魔笛》帕米娜、《隨想曲》義大利歌手、《蝙蝠》愛黛兒、《地獄中的奧菲歐》尤麗迪斯、《賣鳥人》克莉絲提與《西波利特與阿希西》阿希西；音樂會形式的演出則涵蓋了歌劇《尤迪塔的凱旋》阿布拉、《迪多與阿涅亞斯》迪多與《阿里歐唐德》菊內娃等角色。

她曾於漢堡易北愛樂廳、柏林愛樂廳、皇家節日音樂廳、伯明罕交響音樂廳與雪梨歌劇院演出，並與北德廣播交響樂團（卡洛斯．米格爾．普列托）、柏林愛樂樂團卡拉揚音樂學院（巴勃羅．埃拉斯-卡薩多）、愛樂管弦樂團（喬安娜．馬爾維茨），以及澳洲室內樂團（理查．托奈提）合作。她也曾與伯明罕市立交響樂團、蘇格蘭歌劇院樂團、加辛頓歌劇院樂團與克拉科夫音樂節樂團等團體合作。

在2022-23樂季中，妮卡演出了阿蒂娜、吉爾達與尤麗迪斯等角色，並於法蘭克福歌劇院與現代樂團共同演出維托．祖拉傑歌劇《綻放》中的安娜一角，指揮為邁克．溫德伯格。她曾於柏林音樂廳、馬里博爾音樂節（與西蒙．特普切斯基合作）與梅克倫堡-西波美拉尼亞音樂節演出，並與薩爾茲堡室內樂團、現代樂團與金蘋果樂團合作。

妮卡曾參與薩爾茲堡音樂節、韋爾比耶音樂節與索爾蒂學院，也曾獲獨立歌劇提供之獎學金。

Slovenian soprano Nika GORIČ studied in Maribor, Graz and in 2017 graduated from the Royal Academy of Music London, receiving the Queen's Commendation for Excellence as the best all-round student. In 2019 she was made an Associate of the Royal Academy for outstanding achievements in music, and most recently she became the Prize Winner of the Festspiele Mecklenburg Vorpommern (2021).

Her most recent roles include Adina (L`elisir d`amore), Gilda (Rigoletto), Norina (Don Pasquale), Susanna (Le nozze di Figaro), Pamina (Die Zauberflöte), Italienische Sängerin (Capriccio), Adele (Die Fledermaus), Eurydice (Orphée aux enfers), Christel (Der Vogelhändler), Aricie (Hippolyte et Aricie), as well as Abra (Juditha Triumphans), Dido (Dido and Aeneas) and Ginevra (Ariodanate) in concert versions.

In concert her highlights include Hamburg Elbphilharmonie, Berlin Philharmonie, Royal Festival Hall London, Birmingham Symphony Hall, and the Sydney Opera House. She has performed with NDR Elbphilharmonie Orchestra Hamburg (Carlos Miguel PRIETO),Karajan-Akademie of the Berliner Philharmoniker (Pablo HERAS-CASADO), Philharmonia Orchestra (Joana MALLWITZ), Australian Chamber Orchestra (Richard TOGNETTI). She has also performed with CBSO, the Orchestra of Scottish Opera, Garsington Opera Orchestra, Kraków Festival Orchestra, and others.

For 2022/2023 Nika performs in roles including Adina, Gilda, Eurydice and as Anna in a world premiere of V. ŽURAJ’s Opera Blühen at the Frankfurt Opera alongside the Ensemble Modern conducted by Michael WENDEBERG. She gives recitals at the Konzerthaus Berlin, Festival Maribor with Simon TRPČESKI, at the Festspiele Mecklenburg-Vorpommern, as well as singing with orchestras such as Camerata Salzburg, Ensemble Modern and Il pomo d’oro.

Nika was a young artist at the Salzburg Festival, Verbier Festival, Solti Accademia and was awarded a scholarship by Independent Opera.