【南方影展】競賽入圍：異語人間單元

仙境展開 Dreamland Expands

倪祥、陳俊宇NI Xiang, Ohau CHEN｜臺灣 Taiwan｜2023｜實驗 Exp｜彩色Color｜11 min｜無對白 No dialogue

前言：楊富明是生活在高雄大林蒲的一位藝術家，他居住的地方是一個在南台灣受到重工業開發至今深受嚴重工業污染的村莊。退休後，他並未止步於退休人生，而是開始建構自己的「仙境」。這是一支接近實驗的類紀錄片：強烈的形色外觀、極度貼近的鏡頭與詼諧劇情只是它的外衣；我們並非是創作一個想像中的劇情片，而是深入6、7年的紀錄片，一個理解在地人物場景的運動敘事！

Yang Fuming is an artist living in Dailin Po, Kaohsiung. The place he resides is a village deeply affected by severe industrial pollution due to heavy industrial development in southern Taiwan. He did not settle into a retired life after retirement but began constructing his own "Wonderland". This is an experimental film close to a documentary: its strong visual appearance, extremely close-up shots, and humorous plot are just its surface; we are not creating an imaginary feature film, but rather delving into a documentary spanning 6 to 7 years, a narrative that seeks to understand the local characters and scenes!

我記得．我記得 I Remember. I Remember

王耀億WANG Yao-Yi｜臺灣 Taiwan｜2023｜實驗 Exp｜彩色Color｜32 min｜中文發音 Mandarin

在我出生的前一年（1986年），一部台灣電影《戀戀風塵》上映了，隨後台灣新電影隨著時代氛圍迸發。這些發生時我尚未出生或剛出世，並且沒有真實出現在我的體感經驗中的事件，以及片中男主角「阿遠」這個角色的生命歷程，往後卻逐漸刻寫進我的生命裡，無法與之分割。《我記得，我記得》發生在一個隱喻為電影院、民族、或國家的空間內，以散文電影的形式，去探討電影這樣建立在一個經由細節所描繪出來的社會景致，如何在群眾主動將生命經驗與之連結的情況下，替觀眾記住不曾存在的記憶，也建構出一種想像的共同體。

In the year before my birth (1986), a Taiwanese film "Dust in the Wind" was released. Following that, the new wave of Taiwanese cinema emerged in sync with the changing times. Although these events did not directly impact my sensory experiences, the life journey of the protagonist "A Yuan" from the film gradually intertwined with my own life, becoming inseparable from it."I Remember, I Remember" unfolds within a space metaphorically representative of a cinema, a nation, or a country. Through the medium of essay film, it delves into how a film constructs a social landscape through details. It explores how, within this space, the audience actively links their life experiences to it, enabling the film to recall nonexistent memories and construct an imaginative collective identity.

歷歷如畫 14 Paintings

陳東楠 CHEN Dong-Nan｜中國 China｜2023｜紀錄 Doc｜彩色 Color｜24 min｜ 中文發音 Mandarin

在深圳政府新的政策驅動下，大芬油畫村的數千名畫家正在擺脫複製，邁向原創。影片對來自大芬的十四幅畫作進行了一場田野調查，探索藝術，商品，和社會現實之間層層纏繞的交互作用。影片同時也構建了一場畫展，獻給這些在瞬息萬變的環境中必須重新審視自我身份的畫家們。

As a new government’s initiative compels thousands of painters in Dafen Village to shift from producing copies to creating originals, the film investigates fourteen made-in-Dafen paintings on set to explore the interplay between art, commodity, and social dynamics in today’s Chin The film also forms an expressive exhibition dedicated to the painters who must reassess their own identity while navigating a rapidly changing landscape.