【南方影展】論壇單元：東京Image Forum短片選

ㄌㄞˊㄎㄜˋㄨㄚㄎㄜˋ LA-I-KA-WA-AH ライカワアッ

能瀨大助NOSE Daisuke｜日本 Japan｜2023｜實驗 Exp｜彩色Color｜2 min｜無對白 No Dialogue

徜徉在溫暖陽光的草地上，一個孤獨的身影靜靜地練習低音提琴。伴隨著樂器低沉的聲響，周圍自然界的聲音也清晰可聞。上帝視角緩緩逼近，究竟是誰在看誰，誰在聽誰。

On grass bathed in soft sunlight, a lone figure quietly practices the bass. Along with the dull sounds of the bass, the sounds of nature surrounding him are audible. A light new work released in 2023 by NOSE Daisuke, an artist who has been making personal films since the 1990s.

美麗又曖昧的我們日本 Japan, the Beautiful or Ambiguous, and Ourselves

TOMOTOSI｜日本 Japan｜2023｜實驗 Exp｜彩色Color｜19 min｜日英發音 Japanese + English

這是一場對東京街上來往人潮的社會實驗，揭示了都市人既認真又幽默的行為模式。東京奧運即將舉行，人們生活在社會潛規則中。難道這些規則真如此美好並值得日本人驕傲嗎？創作者像一位牧羊人一般，將這個問題實踐於影片中，並拋回給各位觀眾。

A simple experiment carried out on a group of hurriedly moving people. The result reveals their earnest and ridiculous patterns of behavior. The setting is Tokyo, the capital of Japan where the 2020 Olympic games will be held. There are rules the people who live their tacitly follow in their daily lives. Are they in fact beautiful and something to boast about? The filmmaker who calmly guides a group

of people as though herding sheep poses this question to the audience.

回家路上 On the Way Home

木山瑞嬉 KIYAMA Mizuki ｜日本 Japan｜2023｜實驗 Exp｜彩色Color｜3 min｜無對白 No Dialogue

一對父女，穿過商店街，走在回家路上。女兒騎在父親背上，隨著父親沉穩的步伐搖晃，漸漸昏昏欲睡。伴隨父親背部的觸感、周遭聲音與環境氛圍，創作者以極富創意的手繪動畫，呈現出半夢半醒的奇幻景象。

A father and daughter head home through a shopping district. She rides on his back, and begins to drift off as she sways to the rhythm of his steps. The fantastic scenery of her dream undergoes dizzying transformations as it incorporates the sounds and atmosphere around her as well as the feeling of her father’s back. A drawn animation that charms with its creative development and presentation of motion that creates rich expression out of highly skillful depiction

吃人之湖 The Lake (Mizuumi wa Hito wo Nomikomu)

宮川真一MIYAKAWA Shin’ichi｜日本 Japan｜2013｜實驗 Exp｜彩色Color｜44 min｜無對白 No Dialogue

宮川和藤浪將影像作為通信的工具，然而，這些"信件"隨著時間的輾轉，每一個曾經的構想和概念逐漸喪失了拍攝當下的意義。於是各種層次的記憶、影像和表達，包括真實與虛假、膠卷與數位影像，以及拍攝者與被拍攝者之間的關係，都在後製、放映的過程中，浮現出來。

This film ceases to be video letters, right after when the film starts as video letters passed on between Miyakawa and Fujinami. One after another, each of the film’s precepts become meaningless. During this procedure, various layers of memories, images and expressions, including truth and false, film and digital video, and the one filming and the other being filmed, arise.

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磯部真也 ISOBE Shinya｜日本 Japan｜2020｜實驗 Exp｜彩色Color｜10 min｜日語發音Japanese

對天體的固定點觀察和間隔十三秒的拍攝、多重曝光、16毫米膠卷，還有我三十歲世代時連續拍攝五年的時光。是否應該稱這為21世紀攝影術一種美麗的時空錯位？或者說這僅是我孤獨的太陽崇拜，同時宣示光的詩意已然成為歷史？

在影片中，蘊藏著令人難忘的影像色彩與聲音。那是一種，"失去意識"的瞬間，與"回歸意識"的瞬間交織的魔幻時刻。

Thirteen-second interval shots, multiple exposures, fixed point observations of celestial objects, 16mm film, and the five years of time, consisting half of my thirties. Should I say that it is a beautiful anachronism of 21st century heliography? Should it be a solitary sun worship that manifests the poetics of light that has become history? In the middle of the film lies unforgettable colors and sounds, where the moment of “loss of consciousness” intersects with the moment of “return to consciousness.”