【2023衛武營管風琴音樂節】《經典盛會》伊維塔．艾普卡娜X簡文彬X高市交

管風琴音樂節的第二場是「管絃樂篇」，除了穆索斯基《荒山之夜》和櫻井弘二《不散。》外，重頭戲在兩首以管風琴為主的曲目上，分別是巴赫d小調管風琴協奏曲，作品BWV1052，和吉爾曼第一號交響曲，作品42。巴赫d小調協奏曲常見的是大鍵琴演奏版本，但根據音樂學者克里斯多福・沃夫和古格里・巴特勒最新的研究顯示，這首作品可能是巴赫定居在萊比錫初期為管風琴創作的協奏曲，管風琴擔任主奏，給人耳目一新的感覺。吉爾曼是19世紀法國「管風琴交響學派」代表性作曲家之一，作品42第一號交響曲是根據他的管風琴奏鳴曲加以改寫而成的，樂曲中管風琴展現了足以媲美整個交響樂團的磅礴氣勢。巴赫及吉爾曼分別代表了德國巴洛克樂派以及法國浪漫派兩個管風琴的巔峰時期，兩種風格之美一場音樂會同時呈現！

For the second concert of the Weiwuying Organ Festival, the organ and the orchestra, we will be presenting Modest MUSSORGSKY's Night on Bald Mountain and Koji SAKURAI's Last Forever, and as the main course two organ works, Johann Sebastian BACH's Concerto in d minor, BWV 1052, and Alexandre GUILMANT's Symphony No. 1, Op. 42. BACH's Concerto in d minor has often been played on harpsichord, but according to new research by music scholars Christoph WOLFF and Gregory BUTLER, the piece may have originally been written for organ early in BACH's stay in Leipzig. The organ's lead provides a novel and refreshing listening experience. GUILMANT was one of the characteristic composers of the 19th-century "French Symphonic Organ School." The organ in Symphony No. 1, adapted from the composer's Organ Sonata, shows a sense of grandeur comparable to that of the entire orchestra. In this concert, we will enjoy the beauty of two styles, the German Baroque and the French Romantic, which BACH and GUILMANT represent respectively.

曲目

巴赫：d小調鍵盤協奏曲，BWV1052

穆索斯基：《荒山之夜》（林姆斯基・高沙可夫改編）

櫻井弘二：《不散。》－來自紅玫瑰與白玫瑰的敘情曲

吉爾曼：給管風琴及樂團的d小調第一號交響曲，作品42

J. S. BACH: Keyboard Concerto in d minor, BWV 1052

M. MUSSORGSK: Night on Bald Mountain (Arranged by RIMSKY-KORSAKOV)

Koji SAKURAI: Last Forever

A. GUILMANT: Symphony No. 1 for Organ and Orchestra in d minor, Op. 42

演出人員名單

管風琴｜伊維塔．艾普卡娜

指揮｜簡文彬

高雄市交響樂團

合作夥伴｜高雄春天藝術節

藝術家介紹

管風琴｜伊維塔．艾普卡娜

拉脫維亞管風琴演奏家伊維塔．艾普卡娜，是現今重要的世界級演奏家之一。自2017年開始，於德國漢堡易北愛樂廳擔任演奏克萊斯管風琴的領銜管風琴演奏家。在2017年的音樂廳開幕音樂會上，她首演了兩首作品：與托馬斯．亨格爾．布洛克及北德廣播易北愛樂管絃樂團合作的沃爾夫岡．里姆《紀念漢斯．亨利．楊的三聯畫和格言》，以及與長野健和漢堡愛樂管絃樂團合作的約爾格．威德曼《弧形》。最近，她透過柏林經典唱片發行了新專輯《光與暗》，這是首張以易北愛樂廳的克萊斯管風琴錄製的獨奏專輯。

伊維塔．艾普卡娜曾獲多項殊榮及大賽獎項。2018年3月，獲得拉脫維亞最負盛名的「拉脫維亞音樂大獎」中的「年度音樂家」及「年度音樂會」獎項。此外，她獲頒拉脫維亞文化部「2015文化傑出獎」，並成為拉脫維亞文化大使。2005年，伊維塔成為獲得回聲音樂獎「最佳演奏家」頭銜的第一位管風琴演奏家。

Latvian organist Iveta APKALNA is considered one of the leading instrumentalists in the world. Since 2017 she has served as the titular organist of the Klais organ at the Elbphilharmonie in Hamburg, Germany. The January 2017 opening offered two world premieres: Wolfgang RIHM’s Triptychon und Spruch in Memoriam Hans Henny Jahnn with Thomas HENGELBROCK and the NDR Elbphilharmonie Orchestra and Jörg WIDMANN’s ARCHE with Kent NAGANO and the Philharmonic State Orchestra Hamburg. Most recently, she has released her new CD Light & Dark, the first solo album recorded on the Klais organ at the Elbphilharmonie, produced by the label Berlin Classics.

Iveta APKALNA has earned international recognition for honours and competitions. In March 2018 she received the “Latvian Grand Music Award”, the most prestigious award in music in Latvia, in the categories “Musician of the Year” and “Concert of the Year”. Furthermore, she was appointed cultural ambassador of Latvia by receiving the “Excellence Award in Culture 2015” from the Latvian Ministry of Culture. Iveta APKALNA became the first organist to receive the title of “Best Performing Artist” award at the 2005 ECHO Klassik.

指揮｜簡文彬

衛武營國家藝術文化中心藝術總監。1967年生，國立藝專（今國立臺灣藝術大學）鍵盤組畢業，維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院（Deutsche Oper am Rhein）駐院指揮長達22年；1998-2004年為日本太平洋音樂節（Pacific Music Festival）駐節指揮；2001-2007年為國家交響樂團（NSO）音樂總監，在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉，並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲；2014-2016年擔任國立臺灣交響樂團藝術顧問，並於2014年9月獲頒第18屆國家文藝獎。

CHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and awarded a Master’s degree at the National University for Music and Performing Arts Vienna. CHIEN joined the Deutsche Oper am Rhein (Düsseldorf/Duisburg, Germany) in 1996 and served as “Kapellmeister” for 22 years. 1998-2004 he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan). 2001-2007 he was Music Director of National Symphony Orchestra (Taiwan Philharmonic); during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete Der Ring des Nibelungen by Richard WAGNER in Chinese speaking areas, upon orchestra’s 20th anniversary in 2006. 2014-2016 CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was the winner of the National Award for Arts in 2014.

高雄市交響樂團

1981年成立。2009年與高雄市國樂團整併為「財團法人高雄市愛樂文化藝術基金會」，時任高雄市文化局史哲局長出任董事長。2010年，朱宏昌先生出任執行長。2011年，楊智欽先生出任駐團指揮。現任董事長為高雄市文化局長王文翠。

樂團以高雄代表自許，曾與卡列拉斯、海莉、布赫賓德、列賓、明玆、麥斯基、諏訪內晶子等大師合作，厚植樂團演奏實力及建立品牌。除堅守古典演奏形式，也積極走出廳堂，結合不同場域、型態的表演藝術擁抱大眾；尤以參與高雄春天藝術節系列草地音樂會、名家音樂會、寶寶音樂會及全本歌劇製作演出要角。2018年更獲邀參與臺灣最大表演藝術中心──衛武營國家藝術文化中心啟用及開幕系列多場節目，精湛演出受國內樂壇及樂迷一致肯定。

先後獲邀至美國、澳門、南京、上海、青島、蘇州、新加坡、北京、日本及香港演出，跨越城市與國界，逐步以國際性樂團為目標，堅定向前。

Kaohsiung Symphony Orchestra

Founded in 1981, the Kaohsiung Symphony Orchestra（KSO）taking pride as the music ambassador of Kaohsiung City, has collaborated with a variety of renowned artists at home and abroad, including Josep CARRERAS, Hayley WESTENRA, Rudolf BUCHBINDER, Vadim REPIN, Shlomo MINTZ, Mischa MAISKY and Akiko SUWANAI, to name a few. KSO strives to pursue music excellence while establishing its branding image: in addition to performing classic concerts in concert halls, KSO expands its repertoire by visiting different venues and space, and producing non-traditional performing arts close to the audiences, as well as building up an unexplored arts population. KSO is in particular known for its featured participation in the annual Kaohsiung Spring Art Festival, including the open-air Grassland Concerts, the Amadeus Baby Concerts and the full Opera productions. In the recent 2018 season, KSO has appeared in various opening programs of National Kaohsiung Center for the Arts - Weiwuying, the largest performance venue in Taiwan; the performances all earned KSO great acclaim.

KSO has been widely invited to perform in different regions of the world, including the United States, Macau, Nanjing, Shanghai, Qingdao, Suzhou, Singapore, Beijing, Japan and Hong Kong, receiving internationally-acclaimed applause. Crossing national and continental borders, the Kaohsiung Symphony Orchestra continues to push forward as an international first-class orchestra.

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